“Double Bassist” articles on early music

“Double Bassist” articles on early music

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[wpcol_1third id=”” class=”” style=””]Spring/Summer 1996[/wpcol_1third] [wpcol_2third_end id=”” class=”” style=””]The Dragon’s Allure–the lasting legacy of Dragonetti p.42[/wpcol_2third_end]

[wpcol_1third id=”” class=”” style=””]Autumn/Winter 1996[/wpcol_1third] [wpcol_2third_end id=”” class=”” style=””]About the Music–Franz Simandl’s bass legacy p.62[/wpcol_2third_end]

[wpcol_1third id=”” class=”” style=””]Spring/Summer 1997[/wpcol_1third] [wpcol_2third_end id=”” class=”” style=””]Violone Verismo: historically informed performance p.62[/wpcol_2third_end]

[wpcol_1third id=”” class=”” style=””]Summer 1998[/wpcol_1third] [wpcol_2third_end id=”” class=”” style=””]Back to Baroque—Approaching Early Music p.60[/wpcol_2third_end]

[wpcol_1third id=”” class=”” style=””]Winter 1999[/wpcol_1third] [wpcol_2third_end id=”” class=”” style=””]Gut Reaction—the history of strings and string making p.24[/wpcol_2third_end]

[wpcol_1third id=”” class=”” style=””]Spring 2000[/wpcol_1third] [wpcol_2third_end id=”” class=”” style=””]Back to the Future—the rise of the violone p.27[/wpcol_2third_end]

[wpcol_1third id=”” class=”” style=””]Summer 2001[/wpcol_1third] [wpcol_2third_end id=”” class=”” style=””]Visual Evidence—the double bass in 16th and 17th century art p.50[/wpcol_2third_end]

[wpcol_1third id=”” class=”” style=””]Spring 2002[/wpcol_1third] [wpcol_2third_end id=”” class=”” style=””]Journey to Oz–the history of the bass in Australia[/wpcol_2third_end]

[wpcol_1third id=”” class=”” style=””]Summer 2002[/wpcol_1third] [wpcol_2third_end id=”” class=”” style=””]Bass evolution–Joëlle Morton researches the instrument’s roots[/wpcol_2third_end]

[wpcol_1third id=”” class=”” style=””]Winter 2003[/wpcol_1third] [wpcol_2third_end id=”” class=”” style=””]Retuning Revival–a new look at Vienese tuning[/wpcol_2third_end]

[wpcol_1third id=”” class=”” style=””]Spring 2004[/wpcol_1third] [wpcol_2third_end id=”” class=”” style=””]Gut instinct–part two of our tutorial on Vienese tuning[/wpcol_2third_end]

[wpcol_1third id=”” class=”” style=””]Summer 2005[/wpcol_1third] [wpcol_2third_end id=”” class=”” style=””]From Past to Future–Silvio Dalla Torre’s rediscovered bassetto[/wpcol_2third_end]

[wpcol_1third id=”” class=”” style=””]Spring 2006[/wpcol_1third] [wpcol_2third_end id=”” class=”” style=””]Renaissance Woman–British baroque basssit Chi-chi Nwanoku explains why working with period insturments is so rewarding.[/wpcol_2third_end]

 

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